Class 13 (English 197 – Fall 2022)

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Class Business

Coming soon: mid-course assessments of practicums.


Practicum 5: Word Embedding Exercise

Discussion of Word Embedding

Benjamin Schmidt“Vector Space Models for the Digital Humanities” (2015)

The point, though, is that that “sweet/salty” and “vegetable/meaty” are both binary relations that share some interesting properties:

* They are not captured by a single word;
* They nonetheless exist, in some sense, in the real world;
* They exist as a spectrum rather than a class.

I don’t think it’s a stretch to say that most interesting problems in the humanities are this sort of thing. When we study the discourse of Catholicism, we tend to actually mean not some abstract linguistic field on its own but rather a set of vocabularies in tension with other ones. One person might study Catholic rhetoric compared to protestantism; another compared to atheist rhetoric; another compared to indigenous cultures. (Author, 1)

Now, I know no one who studies “meatiness” as a binary. But a tremendous number of humanities projects are constructed around things that can be conceived as binaries. Center/periphery,prestigious/popular, protestant/catholic, etc.; toying with with implications of some binary in language is at the heart of all sorts of humanistic work. I (Author, 1)

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Ryan Heuser“Word Vectors in the Eighteenth Century” (conference proceedings abstract) (2017) PDF File

Ryan Heuser, "Word Vectors in the Eighteeth Century" (2017), Table 1
Table 1
Ryan Heuser, "Word Vectors in the Eighteeth Century" (2017), Table 2
Table 2

  • Fabian Offert, “Intuition and Epistemology of High-Dimensional Vector Space” (2021)
  • Jacques Derrida, Margins of Philosophy (1982)
    • Catachresis “concerns first the violent, forced, abusive inscription of a sign, the imposition of a sign upon a meaning which did not yet have its own proper sign in language” (255)
  •  J. Hillis Miller, “The Figure in the Carpet”  (1980):
    • “Catachresis is the name for that procedure whereby [Henry] James uses all the realistic detail of his procedure as a novelist to name in figure, abusive transfer, something else for which there is no literal name and therefore, within the convention of referentiality which the story as a realistic novel accepts, no existence” (111)

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